Odd eyes Theatre – Emilia Teglia

Unsentimental production of Shaw’s Pygmalion

“A strong production that is definitely worth seeing.”

by Matthew Partridge for remotegoat on 13/06/19

Pygmalion, currently running at Tower Theatre’s home in Stoke Newington, is George Bernard Shaw’s most well-known play, in part due to the later musical adaptation “My Fair Lady”. However, director Emilia Teglia’s production makes it clear that the original was very different. After getting into a confrontation with Eliza Doolittle (Celia Learmonth) outside the theatre, linguist Professor Henry Higgins (Dickon Farmar) is shocked to have her visit him, demanding lessons that will make her fit to sell flowers in a shop, rather than on the corner of Tottenham Court Road. Urged on by his colleague Colonel Pickering (Simon Taylor), he sets out to prove that he can pass her off as a high-born lady in polite society.

Like many of Shaw’s play, this deal with the themes of poverty and the hypocrisy of middle class values. However, more than any of his other works, it embraces the dark side of human nature, from the father (Kevin Furness) who effectively sells his daughter for £5, to Higgins’ own behaviour. Dickon Farmar plays the Professor as an antihero, part bully, part overgrown child. Indeed, his relationship with his mother (Rosanna Preston) suggests that he is still desperately looking for her approval. Celia Learmonth is also superb as Eliza, moving from feral, to submissive, before ending the play firmly in control.

A strong production that is definitely worth seeing. Directed by Emilia Teglia and produced by Tower Theatre. Cast also includes Christopher O’Dea, Heather Dalton, Joanna Coulton Sarah Wenban and Peter Novis.

Original post: www.remotegoat.com/uk/review/14361/unsentimental-production-of-shaws-pygmalion/

Review of Pygmalion LondonTheatre1

JUNE 15, 2019 LAST UPDATED: JUNE 15, 2019 5:20 PM BY MICHAEL STEPHENSON

Pygmalion Cast Tower Theatre — Pygmalion – Tower Theatre

A warm welcome awaits you at this wonderful and comfortable theatre, upstairs in the octagonal tower, home of the Tower Theatre Company.

Emilia Teglia’s fabulous production of Shaw’s most popular play sticks closely to the original. The Edwardian humour is perfectly reflected, it retains all the play’s social themes and provides us with a very entertaining evening.

Dickon Farmar is superb as a condescending, capricious and aloof Professor Higgins who has ‘never met a man of good character’ and who wants to keep Eliza’s hat as a curiosity. Higgins is the fulcrum of the play and barely has time to draw breath. The incompatible relationship between Higgins and flower girl Eliza comes across well. But the star is Celia Learmonth; her Eliza Doolittle is magnificent.

Eliza’s changing mannerisms and phonetics are played equally well and the change in her personality is absolutely convincing. Simon Taylor as Colonel Pickering provides an effective foil between the two, and completes a seamless performance between the three characters.

Kevin Furness saves his best for last. The character of Alfred Doolittle gets a lot of the best gags – all excellently provided by Furness. The accent is spot on and, now ’delivered into middle-class morality’ he lights up the play’s final act.

The Eynsford Hills are a family devoted to social climbing. The hapless Freddy (Christopher O’Dea) is excellent. Heather Dalton and Joanna Coulton as Mrs and Clara Eynsford Hill work well together and it’s a shame that Joanna Coulton doesn’t have a larger part; maybe next time.

This production keeps all the play’s themes – social climbing, class, snobbery, grammar and manners – to the fore, it is professionally put together, the scene changes work well and it is a very funny and well-acted play. I was slightly baffled by a brief surreal musical interlude accompanied by flashing lights in the first half, but aside from that, it was a grand night out. You should go!

Review by Mike Stephenson

#WelcomeToHackney: bar’s reaction to a stabbing inspires play about gentrification

#Haters is a story about community conflict based on a controversial incident at a Hackney pub last year

Sophie Hemery , first published on 1 December 2015

Photograph: Zbigniew Kotkiewicz

Emilia Teglia, founder and artistic director of Odd Eyes Theatre, is putting on a play about cultural clashes in Hackney (dare I say ‘gentrification’).

As such, it was pertinent when we met for coffee that we were faced with two adjacent establishments: a fashionably dingy, wooden stool-ed café full of beards, and a traditional East End caff, complete with full English breakfasts and fluorescent lighting.

It was also a bit awkward, since I assumed we’d go to the flat-white-vending locale. Luckily, Teglia is a woman of principles over coffee bean snobbery, and we went for builder’s tea next door.

Teglia was inspired to write #Haters by an event last year, when a man sought help in a ‘hipster’ Hackney pub, The Bonneville, after being stabbed. “The thing that really spurred me to write this were the comments on social media,” Teglia says.

The initial tweet, by a pub employee, kicked up a storm: “#CSIClapton due to events on Lower Clapton Road this evening, we will unfortunately have to close #WelcomeToHackney”. Followed by: “Some kid got stabbed over the road and decided to run into ours. Great look for our first week.”

Teglia was shocked by the online abuse that followed, from both sides. “It’s like the mass psychology of fascism, this peer pressure on social media. It’s scary, this faceless mob mentality,” she says.

“My first instinct was to say there are no winners. The comments were blatantly aggressive and really stupid, often people saying ‘oh you can’t come here and change our community’. And I’m thinking, well, I liked the fair rents before, but I didn’t really like the knife crime.”

Teglia moved to London 16 years ago, and was initially homeless. “I can relate to both sides,” she says.

“I can see the struggle of opening up a place or putting on an event – the responsibilities and also the excitement. On the other hand, I’m a private renter and a single mother – eventually I’ll have to leave my support system here behind and move out. So I can really feel for both sides.”

In founding Odd Eyes Theatre, Teglia hoped to create “social theatre to open up conversation between people from different backgrounds,” and her latest production – #Haters – is no different.

The play follows two characters on the day that leads up to an event based on the incident at The Bonneville, and is informed by interviews with residents from Hackney – including people who live in the same building as each other, but are required to use different entrances.

“I realised only yesterday,” says Teglia, “after one and a half years working on it, that #Haters is actually Romeo and Juliet. It is about two communities imposing their values on an individual and, instead of building constructive communication to build something new and different, they bring people apart.”

Odd Eyes Theatre has a strong focus on inclusion and participation, and Teglia has aimed to make the production process and event as accessible as possible. “As well as the professional cast, there’s a participation element within the play, workshopped with people from various backgrounds.”

In the research phase though, as well as through rehearsals, what has struck her most has been the fact that – in spite of community conflict – people never fit neatly into identity categories. “I’d interview one person, and think they represent a particular group. And then, as I talked to them, I realised they didn’t fit perfectly anywhere – and that’s what this play is about.”

Teglia believes people are “absolutely ready for a more integrated community. People want their voices to be heard, and I believe London has a respect for individuality that just doesn’t exist elsewhere. It’s why people migrate here.” She believes we need to do away with the nebulous idea of ‘who was here first’, and embrace dialogue to bring people together.

Tag: Odd eyes Theatre

Pygmalion reviews

Interview: the genesis of #Haters