About

A picture of Emilia, a white Mediterranean woman in her 40s with short brown hair. She is wearing tinted purple glasses, a blue top and a black jacket. She is sitting down smiling and holding three trophies.
Over the moon about the accolade of awards for On The Line at The White Rose Film Festival 2025.

I’m a writer and director for theatre and film. My stories amplify the extraordinary real experiences of ordinary people, representing them and giving them visibility.  I’m an advocate for diversity as a philosophy of life: my mission is to enable the circulation of ideas through creative communication between individuals from every socioeconomic background, country and walk of life.

Since 2010 I am Artistic Director at Odd Eyes Theatre. I have written and directed the majority of the company’s productions, for screen and stage. After training in Stanislavski-based acting techniques in Italy and London, I travelled Europe working in theatres of all scales and scopes and roles. From the wardrobe department of Teatro dell’ Opera Donizetti in Bologna, to fire-eating shows in public squares and burlesque performances at cabarets and festivals, including Glastonbury.

It wasn’t all glamour and glitter. In the late 90s, my luck was down. After the buzz of winning the European literary prizes for two consecutive years, I ended up in a very abusive relationship, survived but found myself homeless and coping with the aftermaths in very self-destructive ways.  During this (un)fortunate spell, I got to know  Cardboard Citizens and my luck begun to change again. I trained with  Augusto Boal, activist, torture survivor and founder of Theatre of the Oppressed. It was the beginning of a new journey as a story-teller and change maker.

In 2022 I was nominated in the Top 100 changemakers for bringing a positive contribution to a better society through the arts. In this interview with The Big Issue I reflect on my journey from selling the magazine outside Old Street tube station to founding Odd Eyes Theatre.

 

WRITING AND DIRECTING

My latest short film, 900 Feet Up, and my previous short, On The Line, are currently on the festival circuit. On The Line has earned me an award for Best Director award and Jury Choice award at The White Rose Film Festival as well as Best Edited Film award from the London Women Film Festival. It was nominated for Best Short at the UK Festival Awards and the UK Cinematography Award.

“The film’s tone dances between light-hearted comedy and underlying drama, thanks to strong writing and direction. ‘On The Line’ stands out as a bold, engaging exploration of the complexities of youth, loyalty, and class. Unmissable.” Short Films Matter 

The stage version of  On the Line first opened at Camden People’s Theatre in 2022 and toured until February 2023. I wrote this coming of age comedy/drama with a group of young people from Camden, using Creative Debate , the techniques I developed through my experience with the participatory theatre of Augusto Boal. In 2022 I also directed Nine Night by Natasha Gordon, an autobiographical play about Gordon’s British-Jamaican background. In 2019 I wrote  White Other, a surrealist play inspired by Pygmalion, by G.B. Shaw, after directing the classic masterpiece in June of the same year. The production was one big tick off my bucket list as it was an old dream of mine to direct this evergreen masterpiece.

Stunning, was just stunning. What Emilia’s done to this production is sort of ground level, in the sense that she’s taken us completely to Shaw and his critique about being ‘other’.”  Bonnie Greer

My  play  #Haters toured twice in 2015 and 2017 before I adapted it for screen (Honourable Mention, The White Rose International Film Festival 2025 & Runner Up Best Actor, London Lift-Off Film Festival 2019) . In 2017 I also wrote   Close Up, a play about a raunchy 92-year-old ex-showgirl and a young woman aspiring TV director, written in response to the #metoo scandals, performed at the Pleasance Theatre and at New Diorama Theatre. For Odd Eyes Theatre I also devised and directed over 15 plays including Forum Theatre plays and 70 minute long plays Location, Location,   recipient of the Unlimited Big Local Award 2013, and How Can I Help? 

My freelance directorial work includes Cooking with Elvis by Lee Hall at Theatro Technis,  Content, by Hannah Puddefoot, at Theatre503. I collaborated with Cardboard Citizens as assistant director to Adrian Jackson on Cathy and with Vital Xposure as Assistant Director and dramaturg on Hold the Hearse! by Julie McNamara alongside Terry Galloway.

 

FILM – SHORTS, DOCUMENTARIES, MUSIC VIDEOS

My film work spans from short films to music videos to unscripted documentaries. My third short, 900 Feet Up, is in preproduction. My second short, On The Line, is on the festival circuit and, together with my first short, #Haters is screening in art venues and schools with a programme of Creative Debate workshops produced by Odd Eyes Theatre since 2018. I worked with young people to develop unscripted documentary projects based on their experiences. Some of these include collaborations with ELATT, BT Sport and Circle Collective. You can see here Connected and Community Action in Action. For some of my work with migrants, watch Conversation Club. I enjoy editing and I’ve loved the challenge of editing a long zoom-filmed project by Hackney Shed, Find a Partner, as part of National Youth Theatre Festival 2021. I also directed the music videos for ‘Una Saeva Walk Side by Side, filmed during the Xtinction Rebellion protests of 2019, and Come Alive in 2021.

TEACHING

A glamorous woman in her 60s and a man in suit on stage. They sit in front of a bottle of champagne. A giant screen behind them shows the woman's close up.
Gilly Daniels and Andrew Goddard. Close Up R&D 2018 Photo: David Sprecher

Teaching is my other passion. I am invited Lecturer at Goldsmiths College and at London Metropolitan University where I teach Dramaturgy, Playwriting and Theatre of the Oppressed techniques. As a freelance director, I  worked at the Roundhouse, Hoxton Hall, Midkent College, Cardboard Citizens,  Tyatro Barbone and secondary schools, colleges and universities in UK, Italy and Turkey.

TRAINING
Before moving to London, I trained as an actor in Italy with Beatrice Bracco (Teatro Blu), Lucia Panaro (Accademia Silvio D’Amico), Tenerezza Fattore (Cassiopea Teatro). In the UK I trained with Augusto Boal and Adrian Jackson in Theatre of the Oppressed methodologies including Forum Theatre and Rainbow of Desire techniques.

I hold a Theatre Studies BA Hons degree and a Master in Cultural History (achieved with Distinction) with a dissertation on the history of Forum Theatre in UK. 

Nine Night

by Natasha Gordon

Directed by Emilia Teglia

When Gloria’s time comes, the traditional Nine Night rituals begins. With food, drinks, music, laughter and memories, the people in her life come together across generations and continents to celebrate her. But nine nights of party don’t ease the complexities of this family’s dynamics.

Natasha Gordon’s debut play has been described as “a touching and very funny exploration of the rituals of family.” Intrinsically specific in its cultural references to Jamaican traditions, it touches on universal experiences of families dealing with death and talks about grief, love, exposed secrets and greed. Nine Night is also a play about migrants’ eternal struggle to define themselves.

It enjoyed a stunning sold-out run at the National Theatre in April 2018 before transferring to Trafalgar Studios, making Natasha Gordon the first black British female playwright to be produced in the West End.

This remount directed by Emilia run to full houses at Tower Theatre in June 2022.

Pygmalion reviews

Unsentimental production of Shaw’s Pygmalion

“A strong production that is definitely worth seeing.”

by Matthew Partridge for remotegoat on 13/06/19

Pygmalion, currently running at Tower Theatre’s home in Stoke Newington, is George Bernard Shaw’s most well-known play, in part due to the later musical adaptation “My Fair Lady”. However, director Emilia Teglia’s production makes it clear that the original was very different. After getting into a confrontation with Eliza Doolittle (Celia Learmonth) outside the theatre, linguist Professor Henry Higgins (Dickon Farmar) is shocked to have her visit him, demanding lessons that will make her fit to sell flowers in a shop, rather than on the corner of Tottenham Court Road. Urged on by his colleague Colonel Pickering (Simon Taylor), he sets out to prove that he can pass her off as a high-born lady in polite society.

Like many of Shaw’s play, this deal with the themes of poverty and the hypocrisy of middle class values. However, more than any of his other works, it embraces the dark side of human nature, from the father (Kevin Furness) who effectively sells his daughter for £5, to Higgins’ own behaviour. Dickon Farmar plays the Professor as an antihero, part bully, part overgrown child. Indeed, his relationship with his mother (Rosanna Preston) suggests that he is still desperately looking for her approval. Celia Learmonth is also superb as Eliza, moving from feral, to submissive, before ending the play firmly in control.

A strong production that is definitely worth seeing. Directed by Emilia Teglia and produced by Tower Theatre. Cast also includes Christopher O’Dea, Heather Dalton, Joanna Coulton Sarah Wenban and Peter Novis.

Original post: www.remotegoat.com/uk/review/14361/unsentimental-production-of-shaws-pygmalion/

Review of Pygmalion LondonTheatre1

JUNE 15, 2019 LAST UPDATED: JUNE 15, 2019 5:20 PM BY MICHAEL STEPHENSON

Pygmalion Cast Tower Theatre
Pygmalion – Tower Theatre

A warm welcome awaits you at this wonderful and comfortable theatre, upstairs in the octagonal tower, home of the Tower Theatre Company.

Emilia Teglia’s fabulous production of Shaw’s most popular play sticks closely to the original. The Edwardian humour is perfectly reflected, it retains all the play’s social themes and provides us with a very entertaining evening.

Dickon Farmar is superb as a condescending, capricious and aloof Professor Higgins who has ‘never met a man of good character’ and who wants to keep Eliza’s hat as a curiosity. Higgins is the fulcrum of the play and barely has time to draw breath. The incompatible relationship between Higgins and flower girl Eliza comes across well. But the star is Celia Learmonth; her Eliza Doolittle is magnificent.

Eliza’s changing mannerisms and phonetics are played equally well and the change in her personality is absolutely convincing. Simon Taylor as Colonel Pickering provides an effective foil between the two, and completes a seamless performance between the three characters.

Kevin Furness saves his best for last. The character of Alfred Doolittle gets a lot of the best gags – all excellently provided by Furness. The accent is spot on and, now ’delivered into middle-class morality’ he lights up the play’s final act.

The Eynsford Hills are a family devoted to social climbing. The hapless Freddy (Christopher O’Dea) is excellent. Heather Dalton and Joanna Coulton as Mrs and Clara Eynsford Hill work well together and it’s a shame that Joanna Coulton doesn’t have a larger part; maybe next time.

This production keeps all the play’s themes – social climbing, class, snobbery, grammar and manners – to the fore, it is professionally put together, the scene changes work well and it is a very funny and well-acted play. I was slightly baffled by a brief surreal musical interlude accompanied by flashing lights in the first half, but aside from that, it was a grand night out. You should go!

4 stars

Review by Mike Stephenson

#Haters

Summer 2014, the hottest in 22 years. A stab. A tweet. A social media storm.

Two young heroes worlds apart gravitate towards each other against the will of alluring internet chimeras. Two epic journeys set out in the storm of urban regeneration. Will their hands touch?

Lola May in #Haters Photographer Zbigniew Kotkiewitcz
Lola May in #Haters
Photographer Zbigniew Kotkiewitcz

Inspired by real events, #Haters tells about impulsive acts, opt-outs and the abuse of power at the hand of faceless internet mobs with a good dose of self-irony and with extreme compassion for the characters involved. It’s about opportunities, fate and values. It’s about a world that changed suddenly right before your eyes and you could only witness.

Expect spoken words and outlandish sounds of every-day dreams. Expect bitter-sweet humour, tenderness and compassion. Expect to change your mind.

Read the interview

“The characters are engaging and writer Emilia Teglia refuses to stereotype either. The dialogue is fast-paced and rhythmic and shifts styles throughout, from rap battle to opera, prose conversation to verse-like soliloquies but, somehow, this works. The pace and style of the piece also changes constantly, giving the production light and shade and sweeping the audience along with it. And although the subject matter is dark, the play is also very funny. A Triumph for Emilia Teglia and Odd Eyes Theatre.” (Jo Salkilld, blogger)

“I wait for someone to pick up by@EmiliaTeglia. Such a smart well written and directed piece of spoken word narrative theatre” (Adrian Jackson, Artistic Director Cardboard Citizens)

Amazing performance, engaging and funny script, great direction, lovely set and the music absolutely stole the show!” (Petia Tzanova, 29)

“The issue is real and present, brought to the stage with powerful intensity, humour, wonderful music and stunning set.” (Andrew Bradley, 27)

“An absolutely gripping play. It felt lyrical and often echoed a Greek classical play. The conflicts and ironies were powerful and really rung true.” (Melek Erdal, 31)

Venue pack: www.tour-finder.org/listings/389/Haters

Press and venue enquires: info@oddeyestheatre.net

Writer: Emilia Teglia
Director: Emilia Teglia
Music Director: Barbara Diana

Produced by Odd Eyes Theatre

 

 

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Close Up

Documentary maker Lauren wants to make it on the big networks. Ex-show girl Grace is ready to shoot to fame with the help of her late friend Kenneth Williams.

Conversations about showbiz, sex and ambition bring together two women four generations apart as they work on a fly on the wall documentary.

The first ideas for this new play came from research into the history of censorship on British stage. In 1968 the Theatres Act abolished censorship of the theatre paving the way for freedom of speech across all media. Half a century later we are allowed to show and witness the unimaginable. But are we really free to assert our individuality? And if it isn’t government law, what are the systems regulating speech in the post-truth era?

My latest play brings together elements of theatre and live filming, Polari language and music to create a multi-layered experience that looks into dreams, delusion, and media manipulation.

Close Up combines theatre and live filming to ask questions about showbiz, sex and censorship.

Interview with Emilia Teglia about the making of Close Up

Review of the showcase : “A thought-provoking, funny and moving piece of theatre.”

    

The first rehearsed reading of this new work in progress was presented as part of Litmus Fest at the Pleasance Theatre.

In January, the second draft and some element of filming were presented at Richmix and at New Diorama
with the following team:

Emilia Teglia (writer and director)
Mark Morreau (film and photography)
Barbara Diana (music)
Sherry Coenen (Light)

Collaborating cast: Gilly Daniels, Sophie Delora Jones, Andrew Goddard

Showcases

26 January 7.30
Richmix London
Tickets 

18 February 7.00
New Diorama Theatre
Tickets 

Email info@oddeyestheatre.net for bookings. 

Location Location

Two young lovers look for a home, two first time buyers cruise for a deadly bruise in pursuit of the ultimate bargain.

Enter shark-faced sleazy estate agents (because all estate agents are sleazy right?) But this home is riddled with heartbroken tenants, ghosts of Operas past and oven roasted rats served for dinner.  It’s up for auction.  And you are here to buy. And to dance to your death.

A fun experiment, a bizarre and innovative combination of horror and heartbreak …like love, it is a gypsy’s child, not bound by any laws, so you’d best beware!” Lauren Kilgannon, The Public Reviews Read the full review

Written and directed by Emilia Teglia
Movement director Ester Escolano

Mostart, March 2013
Stour Space and surrounding area in Hackney Wick, October 2013

 

 

 

Writing and directing for screen and stage

From left to right: Chiara D'Anna, Paola Cavallin, Emilia Teglia

2024

ON THE LINE (film)
Written, directed and produced by Emilia Teglia
Director of Photography: Kai-Yan Lai

2022 & 2023

ON THE LINE – stage play
Written and directed by Emilia Teglia
Camden People’s Theatre on 3 December 2022
Touring until 11 February 2023
Booking and info
Script available in paperback and eBook version 

NINE NIGHT
Written by Natasha Gordon
Directed by Emilia Teglia
Tower Theatre, 15-25 June 2022
Information

2019

WHITE OTHER
New work in development.
R&D sharing : 7 November 2019
Information

PYGMALION
Written by G. B. Shaw
Directed by Emilia Teglia
as part of the R&D for her new play “White Other”
Performances:
Tower Theatre, London, 12-22 June
National Theatre of the Faroe Islands, Tórshavn
1-3 July
Information

#HATERS (film)
Writer/ co-director / producer: Emilia Teglia
Co-director /editor: Tristan Shepherd
Watch the teaser


2017/18

CLOSE UP R&D
Showcases: Pleasance Theatre, New Diorama, Rich Mix
Written by Emilia Teglia
Directed by Emilia Teglia
Film by Mark Morreau
Music by Barbara Diana
Information


2016/17

#HATERS
London tour: Autumn 2015
UK regional tour: Spring 2017
Written by Emilia Teglia
Directed by Emilia Teglia
Music by Barbara Diana

Script available in paperback
Watch the trailer
Produced by Odd Eyes Theatre
Information

CATHY
by Ali Taylor
Directed by Adrian Jackson
Assistant Director Emilia Teglia
Produced by Cardboard Citizens
UK tour: October 2016 to August 2017

HOLD THE HEARSE!
by Julie McNamara
Directed by Terry Galloway
Assistant Director: Emilia Teglia
Produced by Vital Xposure
UK tour June 2016
Information and tour dates

COOKING WITH ELVIS
by Lee Hall
Directed by Emilia Teglia
Produced by Tower Theatre
23-27 February Theatro Technis

CONTENT
by Hannah Puddefoot
Theatre503 RWR
April 2016

Previous to 2016/17

#HATERS
Written by Emilia Teglia
Music by Barbara Diana
Directed by Emilia Teglia
Watch the trailer
Produced by Odd Eyes Theatre
London tour: Autumn 2015
Information

LOCATION LOCATION
Written by Emilia Teglia
Winner of Unlimited Big Local Area
Directed by Emilia Teglia
Movement director Esther Escolano
Watch the trailer
Site specific production by ISCaD and Reel Rebels Radio
Performed at Mostart, March 2013 and Stour Space, October 2014
Information and review

HOW CAN I HELP?
Written by Emilia Teglia
Directed by Emilia Teglia
Produced by ISCAD & ISLaD, performed at Chats Palace Arts Centre, July 2012

FAMILY ALBUM
Written by Chiara D’Anna and Paola Cavallin
Directed by Emilia Teglia
Produced by ISCaD for International Commedia dell’Arte Day 2013
Performed at Tyiatro Barbone, Istanbul, February 2013

DREAMS
Devised and scripted by Sarah Levinski, Emilia Teglia, Anibal Zamora Diaz
Watch the trailer

Emilia Teglia as director of forum scenes, joker and director of trailer
Produced by Cardboard Citizens
Performed at Bradley Art Centre and Oval House, 2008